writing

  • While reading the Gillian Mear’s biography a few months back I discovered that when The Mint Lawn was reissued she had the opportunity to make a few changes.  Yet she more or less left it how it was. Perhaps she simply didn’t have it in her to go back to that book. It was so…

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  • The cure for many ills, noted Jung, is to build something, and this is the epigraph and theme of Amanda Lohrey’s atmospheric novel, The Labyrinth (Text). It’s my second read by a Tassie author this month and further proof that the briney air of that island casts quite a spell on its writers. This one…

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  • When I started writing my psychological suspense novel, The Night Village, about a new mother and her strange houseguest, I pictured the story unfolding in my old flat in Hackney. And then, in the same way a dream will suddenly shift location, my characters were all somehow living at the Barbican Estate in central London.…

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  • Tara June Winch in Berlin

    Recently I listened to author Tara June Winch talk about her Miles Franklin Award winning novel, The Yield. Here are some notes from the evening.

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  • When writing prose, it’s easy to get stuck on the mechanics of the story – who is speaking? Was the baby asleep in the last scene? Could it really be dusk already? …. and the writing itself can sometimes feel secondary, just a means of getting your characters from A to B. So turning up…

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  • While ordinary writers paddle between the flags at the beach, a poet will free dive the Titanic. They go there. And yet, the word poet just sounds so genteel and lovely.

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  • Starting a new blog has been on my to-do list for a while. A social media presence is helpful for writers, and as I am currently revising my novel in the hope of having it accepted for publication I need to start now. However, in October 2018 I moved with my family to Berlin, my…

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